How to take Photos with your Mobile

It’s time to learn something new today 🙂
Experience teaches us a lot, especially when we’re on the road. Nothing makes a story more beautiful and interesting than colourful eye-catching photos taken on the go.
Most of us travellers rely on good cameras with settings. I have an amazing Panasonic Lumix. However, as we travel and share instant snaps on our blog or social media, we often recur to smartphones. You need to be able to use your smartphone well, especially if you go to places where cameras are either not welcome or you don’t have time to set up your regular camera. Smartphones are more conspicuous and with technology that allow us to do wonderful things.

So here are few tips I learnt myself 🙂

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If you’re able to read the 007 commemorative sign then it’s a successful mobile-friendly photo

Think Mobile

Before using a picture, look at it on your smartphone and ensure your main subject is clear and any writing, such as a sign, is legible. Keep in mind that most people will check your photos and articles from their phones so make your shots mobile friendly and neat.

Keep it Simple

I learnt that my most popular photos are the simplest ones. They don’t have many people in them, multiple props, and complicated staging. The most effective images so far have been those with simple subjects, such as a close-up of a situation, object, person or even buildings.

Play with Light and Shadow

Both Samsung (S7 series) and iPhones allow you to adjust the lighting by simply tapping on the screen so pay attention to your scene’s lighting. Bright light and deep shadows create a stark contrast that can make your photo more interesting and dramatic.

Sometimes you’re lucky enough not to need any of these 🙂 just because the light is so naturally beautiful and unique (Iran has plenty of these places where light is so mystical you can play with it for hours). So before you start thinking about tapping on the screen of your phone, analyse your surrounding and catch the elements already at your disposal.

Follow the Rule of Thirds

If your subject is a person or more people, have them closer to either side, or along the top or bottom, rather than in the center. This is the rule of thirds, where you basically break an image down into thirds (both horizontally and vertically) so that you have 9 parts.

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The Rule of Thirds

Studies have shown that if you place the subject along the intersection lines rather than the center of the frame – the photo becomes more balanced and will enable a viewer of the image to interact with it more naturally.

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If you divide this photo in 9 squares, my face comes right up to the lower right intersection.

 

An exception: Faces. Faces can be anywhere in the frame.

Subject / Try different Perspectives

Mix big and small things and create an interesting contrast with different perspectives. For example, put a subject close to the camera and others in the background to create a more spaced composition.

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The Salisbury Cathedral from a dark angle.

When taking a photo at night, you can either take a typical frontal photo of the subject (Jame Mosque below) like this one…

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Or you can be creative by simply changing angle like I did with this photo of me under the crystal-turquoise arch and make it sensational. The arch surrounds the dark night, givingn it an extra luminosity.

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Don’t Zoom and Don’t Flash

I learnt using my own flash is a terrible idea, just as bad as zooming.
If you really must use artificial light because you’re either in a dark setting or because you want to give your photo a magazine look, get help from a friend. Ask your friend to point their smartphone flashlight (or a proper flashlight, if available) at the subject from a different angle of yours.

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This photo was an experiment: I tried to avoid my flash by using my friend who was sitting next to me and her iPhone’s flashlight. The room was already lit but her flash allowed me to highlight the food in more detail. Don’t use your own flash, use a light source which you can move and adjust for better results.

Don’t photograph directly with Instagram

Instagram comes with a preset square mode that will not allow you to crop or give your subject proper focus. It is better that you take your photo with your regular camera vertically (regular full-sized portrait mode). This way you will be able to visualise more and not be limited to format constrictions. You can always edit the photo later, just get the first one properly sized.

Use interesting elements

Be creative and use the elements around you to make a photo interesting. Most of the time it will spontaneous but consider spending some time analysing the surrounding to create an appealing photograph in such way that it almost tells a story on its own.

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My subject was the balcony_restaurant San Fernando, however, what makes this photo attractive are the live musician dedicating their tunes to the restaurant’s clientele.

Add a focal point and varied textures

When setting up your photo, ensure you have a subject in the foreground that provides a focal point. Use varied textures that create an interesting contrast.

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A flower I found on Ometepe Island, Nicaragua. Notice the blurred background.

Blend in and Ask for Permission

Before snapping a photo of a local merchant or nomads, always ask. No need to invasively snap a quick shot and run (you probably wouldn’t like it done to you either). If you ask you’d be surprised at how receptive people are to smiling 🙂

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Nomads of Iran. It is a distinct luck to actually find them and interact with them.

And last but not least…

Say NO to selfie sticks!

The idea of a selfie is having an impromptu photo of yourself with a background that you like. And as such, it should look like a rustic spontaneous shot. A stick defies this logic because it forces a selfie to look like anything BUT a natural moment.

Not only selfie sticks are very annoying (blocking views, turning a memory trip to a self-aware photo trip) and have a lot of tourist destinations now banned them, but also the angle that the stick creates is unoriginal and fake given the effort of hiding who’s taking the photo.

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